While the plot of Lonestar is fairly cut and dry – sixty minutes of two brothers coming to terms with secrets and their relationship with one another – this production truly shines in the performances by each of its three cast members.
As Roy, Matt de Rogatis (previously reviewed in The Collector) opens the show surrounded by beers and scattered junk food packaging. He’s back from Vietnam – has been for some time, we learn – and has taken to spending his nights getting drunk on Lonestar beer behind the local dive. His brother, Ray (Chris Luopos) joins him and they relive old memories; we get a feel for the dynamic between these two easily. A third character, Greg Pragel’s Cletis (aka Skeeter), provides us with a glimpse of how Roy and Ray relate to the world outside their brotherhood.
The show’s unpretentious and simple design allows – wisely – the characters to carry this sixty-minute piece. Adhering to a strict economy of props and set, this means that de Rogatis, Luopos and Pragel are charged with bringing images of the scene to life in our minds – something the manage easily.
The greatest strength of Nine Theatricals’ Lonestar is in its performances, and the control over which all three actors – particularly de Rogatis and Luopos – are able to exert over their portrayals of their characters. From casual joking to intensely physical fury, each character is brought to life in these full, emotionally nimble performances that drive the narrative ever-onward.
Lonestar has completed its run at The Wild Project; information on additional performances can be found here.