It’s been a while since I updated you on what’s going on with #thepeggycarterproject. So here goes:
I just finished sewing the test skirt in muslin!!!!!!!
Okay, so maybe I didn’t *exactly* finish – I did something funny along the way and the waistband extension didn’t come out long enough – but I’ve now gone through the process and can put the skirt together. I’ll have to be a little more careful with the zipper, and the button hole will likely be a challenge, but at this point I’m pretty confident that I can make a skirt, and that it will fit.
It was harder than I’d anticipated, mostly because sewing takes a lot of patience and as each step advanced I got a little more nervous about moving on to the next one. (The next step now is actually cutting up my beautiful fabric, so hopefully I’ll be able to screw up the nerve soon.)
At last update, I was in the process of cutting the fabric out. Now, it was time to stitch things together. With the exception of one seam, which I sewed the wrong way round (didn’t bother to go back and take it out because this isn’t the actual skirt, the sewing went pretty well – aside from a major tension issue that popped up midway through. (And no, I don’t mean the part where I cried.)
When I took my sewing machine home to show my mom, we decided that the best thing was really to buy a new sewing machine (because why wouldn’t that be the best thing, right?). It was more than I wanted to spend (this project is fast becoming a money pit in its own right) but it made a huge difference in sewing the last few seams. When it arrived, I sewed a few lines and sent her a photo; she approved. The old machine, she said, wasn’t punching the thread through the fabric on both the top and bottom, and given the price and time involved in getting the machine a professional tune-up, the newer machine just made more sense. Here are the photos I sent her; they’re much tighter and more uniformed than what I was getting from the older machine. The new machine also controls the speed of the needle more precisely, which was nice because sometimes you don’t want to go super fast or super slow but somewhere nice and comfortable, in the middle.
I won’t post close-ups of the zipper because the zipper is a travesty and something I will be practicing a few more times before I do it on the actual skirt, but here’s what it started to look like:
You may notice – or you may not – that while this looks skirt-sized, it is also a bit smaller than you might expect, given the size of my waist. Well, kids, this is where I learned something important about sewing: read the directions. Like, always. Like, four times. Then read everything actually written on the pattern. Like, always. Like, four times. Because sometimes it turns out that just because you only cut two of one pattern piece, it doesn’t mean you don’t cut four of another pattern piece. Who’d’ve thought, right? You need two side panels on EACH side of the skirt, not just two side panels in all.
That realization came to me, unfortunately, AFTER I had bought a roll of permanent pattern paper because I thought that I was going to have to size the entire pattern up significantly. It was while doing the math required to figure that out that I went back and looked at the pattern again. And realized my mistake. The things writers will do to avoid doing math, you know? But it worked, in the end:
Next, it was time for the fusible interfacing. After doing a lot of math (this math was unavoidable), I had figured out that it made more sense just to buy a bolt of the stuff (about eight bucks from Joanne Fabrics, though the prices I saw varied WILDLY depending on where I was sourcing from). Interfacing is used to make sure parts of the suit keep their form – so it gets used on bits like the waistband and eventually the suit lapels (eep!). You don’t need loads of it for the project, but if I keep this hobby up it’ll be nice to have on hand.
For the skirt, the interfacing is fused to the waist band, then the waist band is folded over onto itself and then sewn to the bottom panels of the skirt. The process was a little tricky. The first step was cutting and fusing the interfacing. By this point in the project I had moved on to a “let’s just get it done” mentality, so I wasn’t super careful about cutting it out to match – all that caution is going towards the final product. I placed the fabric on a towel (I don’t have an ironing board, judge not) then laid the interfacing down on top of it. Then you put another towel on top so you don’t get the interfacing glue stuck on your iron, and gently press the interfacing down with the hot iron. Eventually, you pick the iron up and put it down on the next bit of fabric.
Next, you have to press up the seam of the waist band so that you can eventually sew that to the skirt band. This was kind of annoying because you have to make sure the seam is going to be even, and it was sort of confusing to read the directions and figure out what was supposed to be getting pinned facing what. But I soldiered through it and got it done!
Finally, the nightmare of sewing the waist band to the skirt. I didn’t even take pictures of that process, it was so miserable, but once I did that and ran it through the sewing machine, look what happened!
It might be a little bit messy, but it’s served its purpose, and you know what that means…the next time you hear from me on this project, it will involve real fabric, having to work methodically and carefully, and maybe even a finished skirt!
Gotta stay inspired, you know?
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