127 HOURS, by Scottish director Danny Boyle, plays on themes that have resonated throughout his filmography. Through manipulating our experience of Aaron’s ordeal, Boyle reminds us of the same unsettling truths that can be seen throughout his body of work, mostly revolving around the frailty of human life and civilization in the face of disaster. Boyle regularly creates high-concept storylines that force his audience to appreciate the joy of being alive while at the same time showing them the brutality and messy ugliness that is inherent in being human. He forces his audience to consider their relationship to the natural, external world – while at the same time maintaining a focus on the tormented inner stories of his characters.
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