During recent visits to the theater, two plays have raised questions about how our society confronts and copes with our basic animal instincts, and the complicity of individuals in destructive acts performed by their societies. They’ve also presented complex existential arguments about the limits of communication and the need to be satisfied by what is, rather than by what one wishes could be. The two plays? Rajiv Joseph’s current Broadway production of Bengal Tiger at the Baghdad Zoo (Robin Williams’ Broadway debut) and a production of Wallace Shawn’s Aunt Dan & Lemon from Buffalo, New York theater company Torn Space.
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