While living in Edinburgh, Scotland, my favorite month of the year was August. Why? Because of the Edinburgh Fringe Festival (currently running in Scotland’s capitol city).
At my first Fringe, I saw at least a hundred plays. Then I lost count.
Three of the plays I saw over the years – Playing it Cool, Stuck Up A Tree and Mousewings – remain especially important to me, because they were mine. They were markers of what I accomplished each year I was in Edinburgh, and now when I look at them there are so many memories crushed up between their lines it’s like opening a photo album.
Playing it Cool, a romantic dramedy that takes place in my home town of Buffalo, New York, had its world premiere at the Pend Theatre at the now-defunct Gateway Campus of Queen Margaret University. It’s the earliest of the three plays, and I was astonished to see, while watching videos of the production, how much stronger it played on film than in the tiny pend theater. It taught me the necessity of using space well in theater, and of making physicality a necessary part of your script. This would come in handy on my next Fringe play – which you’ll hear more about in the future – Stuck Up A Tree.
But back to PiC. Through the Buffalo theater community, including playwriting professors, local directors and adjunct faculty, and the support of the head of the University at Buffalo’s theater department, we received funding for two actors and the local director to travel to Scotland and perform Playing It Cool for a week’s run.
Other than a few attempts at getting the shows picked up, I haven’t done much with these play scripts, and it occurred to me the other day that this is one of the problems with playwrights: our work may be staged, but what happens once the curtains fall down?
Over the next few months, I plan to release the scripts for my three Edinburgh Fringe plays on Amazon; likely through KDP. This will require formatting and artwork, as well as some thought about how I want to package each piece. So it’s going to take me some time. Ultimately, it’s likely a hard copy version containing all three plays may be available. I’m trying not to think about the details too much just yet, and come up with a good over-arcing strategy – advice welcomed.
The three plays are very different – romance, a children’s show, and a post-apocalyptic tale of class conflict & survival – and form an interesting snapshot of my early playwriting career. I’m excited (and a little terrified!) to be sharing them with you – part of why I’m writing this blog, because it makes this more of a promise. Now you can bug me about this, if I drag my feet.