Tag Archives: millennial ex

Getting paid to write.

2013-02-07 20.39.28

In today’s blog, and in light of the issues I’ve read about online and e-published authors have had in getting paid, I wanted to say a few things about writing and getting paid for it.

I hope you’ll excuse me if I meander around a bit. Money for the fruit of my soul is an emotional subject.

I got paid on Thursday for a job I did last fall.

Due to a miscommunication, I never realized they’d requested an invoice.

Within days of raising a question about payment (uh…Monday?)…the money hit my account.

I’ve been wondering what was going on since at least October; I remember having a conversation with a friend who was part of the same project around then. And now I’m kicking myself – why didn’t I just ask the producer at the time, why did I step back and not bring up this question of payment earlier?

I didn’t want to seem pushy or petty. But asking “Hey, what’s up?” at a point sooner than four months after the fact would have saved a lot of time, and that would have been nice. As evidenced by how quickly we figured out what was up once I opened my mouth.

Anyway, I’m meandering.

What I wanted to say was this: it felt SO GOOD to get paid for something I’d written because I *felt* it. The piece I was paid for landed in my lap like a flash of inspiration, and having it produced (even abroad, even when I couldn’t go to see it) gave me the most wonderful, settled feeling in the world.

Getting paid for it today, seeing the money land in my account – that gave me a whole different kind of good feeling.

In our society, money is a potent type of validation. I remember the first time I got paid for writing something. A friend bought a short story I’d written. Later, I felt this kind of validation again when I earned money on my Fringe shows (most notably, “Stuck Up A Tree,” which is now *ahemavailableonKindle*). At the same time, we’re told not to ask about it – to the point where I put off a polite inquiry for four months! How crazy is that?

As a freelancer, a self-owned business, you – much like reporters – are advised to follow (up) the money. Nobody is going to think less of you for asking a question.

And trust me. Getting paid for a passion project? The best feeling ever.

2012 was a weighted year. When I got my 1099s for my self-published work in the mail the other day, the amounts added up to a very small sum. Even smaller, once I sit down, do the math, and send money to the writers, illustrators, designers, co-editors and charities owed for the last quarter or two. Having made a somewhat significant sum a few years ago thanks to commercial freelancing, I appreciate the difference between getting paid to write, and getting paid to write what you love.

But what’s left will still be more more than I made on my creative writing in 2011. Which isn’t a bad trend to be following.

Addendum: I asked for some advice re: photography for this entry, because I stress about things like that, and here’s the best response I got.

Happy New Year! Where I’ve been, and where I’m going in 2013.

Photo Credit: Leah Alconcel

Photo Credit: Leah Alconcel

I hope you and yours had a wonderful end of 2012 and rang in the new year with more enthusiasm than I did – I conked out a little after 11pm EST and didn’t manage to greet 2013 until about 9am this morning.

Time for a quick look back, and a longer look ahead.

2012 was a packed year. I published HOT MESS, had short stories featured on blogs and in Amazon E-Book collections, put together a collection of Zombie Haiku, talked a lot about feminism and vaginas (both here and in public), organized readings, took major artists to task over unethical business practices (with results!) and more.

It was a year of both excitement and disappointment, of keeping things in perspective, of working on myself and how I relate to the world. My cousin and his girlfriend got married, and I fell off the Low Sodium wagon hardcore shortly after (funny how having a size 14 dress to fit into can motivate a girl!).

I wrote about physics, I wrote about politics, I wrote about gun control, I broke 100K tweets (don’t know whether to be proud or embarrassed about that), I edited a novel, contributed to a round-robin short story, got some help prettying up the blog, shared my self-publishing experience, interviewed innovative theatre producers

In other words, it’s been a busy year.

What’s up for 2013?

For the first time in years, I’m kicking off with a more-or-less clean slate. The writing projects I had planned to carry into this year are either at good resting points, or they’re not going forward due to external circumstances. I have an idea for a feature I’d like to play with, and I’d like to do more theatre work this year (last year, my short play MILLENNIAL EX was performed as part of Glasgay UK in a program of short works on marriage equality, and that’s re-whet my appetite for playwriting after a small break for other formats). I’m going to continue publishing my produced plays, which will join POST and Playing It Cool over on Amazon, just as soon as I lock down cover art for the new pieces (and by the way, if you’re interested in doing cover art for my plays, please let me know).

As I normally do around this time of year, I’m moving diet and health back to center stage: went grocery shopping yesterday and have gone back to only buying low sodium foods and healthy, nutritious snacks. We’ll see if that lasts much beyond my first day at work.

I spent a lot of time in 2012 on my mental health and well-being, and plan to keep moving forward with that in 2013.  I’d like to travel more, and have started trying to reconfigure finances so this is more than a pipe dream. I’d like to get more involved in activism and political issues – something I did more of in 2012 than I had in 2011, but still an area where I want to contribute in the future.

Thanks to everyone who helped make 2012 a memorable year – here’s to making new memories in 2013.

 

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Rachel Gets Interviewed: ANY OBJECTIONS and “Millennial Ex” in Glasgow

I wrote a play called Millennial Ex last year, shortly after marriage equality was legalized in New York State. Over the course of the last year and a half or so, I’ve been working with Matthew McVarish to take Millennial Ex and build out a larger program of work for premiere at the largest LGBT theatre festival in the UK: Glasgay 2012.

The show, which includes work by writers from the US, UK, Canada, Indonesia, Zimbabwe, South Africa and more, is intended as a snapshot of LGBT marriage equality issues around the world. If you’re in Scotland this weekend, I highly recommend you check it out.

Otherwise, you can learn more about the show in this interview I gave on the Glasgay blog.

 

Edit: Within minutes of posting this blog, I was made aware of this recent news development in the story of a gay couple who was refused a room at a British B&B several years ago. Thanks to @MishMashInk for pointing out how ANY OBJECTIONS is relevant to the questions being raised in the real world.

The Neverending Writing List

As we creep ever-closer towards the end of the year, it’s natural to look back and take stock of the plans I made, and which ones came to fruition – hopefully with just enough time left in the final quarter of 2012 to kick my butt into gear on a few of these projects.

The year started with a rush and a bang. My short story, The Tell Tale Tech was selected to launch a week of tributes to Poe, over on The Veillee Blog. Next, Sare Liz Gordy decided to put together “Sassy Singularity” – an anthology of short stories about strong single women, and my short story Sweetheart, kicked off that collection.

The next month, Hot Mess: speculative fiction about climate change came out. Millennial Ex, a ten-minute play about marriage equality, was given Honorable Mention at a festival in the US before later being picked up as the centerpiece for ANY OBJECTIONS? the upcoming Glasgay Festival in Glasgow, Scotland. (I also have another dozen or so plays from other entrants to read through before the selection committee makes its final decisions.)

I put both Restaurants are Rated Out of Four Stars (a foodie romance, which appeared in RJ Astruc’s collection, The Fat Man At The End Of The World, several years ago) and my first Edinburgh Fringe play, Playing It Cool up. Ran a promotion for that on Kindle Select last week, and the play was both downloaded and reviewed favorably by many. Miranda Doerfler and I oversaw the publication of Haiku of the Living Dead, Zombie haikus collected from contributors around the internet.

I started a Pinterest and a Tumblr and a Goodreads account. I learned how to use InDesign well enough that I could make book covers that weren’t completely embarassing (you can see an example on the Playing it Cool cover on Amazon). I edited Eric Sipple’s first novel, Broken Magic. Got a couple interviews about my work published on a few different websites. Helped organize a massive political protest along with Eve Ensler and grassroots activists from around the country.

You’d need chocolate, too.

But it’s not enough.

There are projects I want to do that still aren’t done. And I wanted them to be done before the end of the year. There’s my AI collection, which will take both The Tell Tale Tech and Sweetheart and pair them with a number of original short pieces pondering alternative and artificial intelligences. I have partial drafts and sketches for a number of these shorts, including some pretty extensive drafts. But there’s more work to be done there.

Next, there’s Electalytics, the 30K novella I said I’d write in thirty days back in July. Currently hovering at about 27.5K, I’m tightening up the rest of the draft before going on to write the final parts of the story. I had wanted this piece to be up in time for the 2012 elections, but at this point I think it’s safe to say that would require rushing it out. So I’ll pick my way through it carefully and I’ll keep making slow progress.

There are two more projects I would very much have liked to complete this year, including the play that kicked me off down the AI collection road, a full-length three-hander called Process0r, about collaboration and language and technology.

So what gives? What’s holding me back? Why aren’t all these pieces done so I can scramble ahead to the next thing?  Aside from the blog updates, the social network building, being interviewed, contributing to charity fundraisers and more?

Life. That’s what. That messy, wonderful, horrible, ever-drumming thing we call life. The saying talks about the best-laid plans of mice and men, but writer’s best-laid plans often go astray as well. Coping with this fact? Not something I do especially well. When I have a plan, I want that plan done. And when it doesn’t get done, I start getting agitated.

So that’s what the next three months are for. It might seem as though the things I’ve already done this year would more than make up for the pieces I still want to finish – but they don’t. When I distill the list down and hold it up against the “life” things happening between now and December 31st, it looks a little like this:

1. Finish the first draft of Electalytics.

2. Create covers for Stuck Up A Tree and Mousewings (video), so I can put them both up on Amazon alongside their fellow Edinburgh Fringe play, Playing It Cool.

I want to add, “Finish AI Anthology” and “Finish Processor” to the list, but given the two solid goals mentioned above and a third, more ephemerous goal I haven’t been specific about, I feel like sticking those two on the list would be a great way to get overwhelmed. So for now I’ll save those two projects for 2013, which – as far as I can tell – still offers twelve months of unspoken-for time.

This is a totally realistic plan.

Right?

The Writing on the (Whiteboard) Wall

I’ve spent the day home sick in bed, so pardon me if this gets a bit introspective. Sometimes, one must engage in a little bit of navel-gazing.

For as long as I can remember being a writer, I’ve had more than one project going on at once.

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My 10-Minute Play “Millennial Ex” wins honorable mention from Stone Soup Theater Company, Seattle, WA

“A drunken proposal after the passage of the NYS Marriage Equality act leads to an awkward morning after for one gay couple in New York City.”

Millennial Ex has just been awarded an honorable mention by Stone Soup; it was entered in their Double (XX) Fest 2.0. My first award-winning play, POST (“Write To Be Heard,” 1999) can be purchased for Amazon Kindle.

If you don’t own a Kindle and are interested in purchasing a copy of POST, please sign up on my mailing list to be notified when the play becomes available in other mediums. You’ll also then receive new blog entries directly to your mailbox.