THEATER REVIEW: Dublin by Lamplight at 59E59

In theater, each night of an individual production’s run is different. When two different companies – seperated by both miles and years – perform a play, the separate interpretations magnify both flaws and strengths in their texts – and the differences in their productions become tools for gaining new insight into the multi-faceted fragility of…

British Theatre Deathmatch: Sleep No More vs. War Horse

I saw both the National Theatre’s War Horse (5 Tonys in 2011, including Best Play) and Punchdrunk’s Sleep No More last week. The two shows share a common thread in that they ask their audiences to become involved in an area of performance they may not have experienced to the same degree before. War Horse’s…