Tag Archives: New York Theater

THEATER REVIEW: The Deepest Play Ever @ the New Ohio Theatre

Boo Killebrew, Chinasa Ogbuagu, TJ Witham & Jordan Barbour. Photo by Colin D. Young.

“I’m going to The Deepest Play Ever,” I told my friends on Wednesday, “and yes, that’s the actual title.” Which wasn’t exactly accurate. The full title of the production is “The Deepest Play Ever: The Catharsis of Pathos, The Post-Post-Apocalyptical Allegory of Mother LaMadre And Her Son Golden Calf OR: Zombies Will EAT Your Brain! AN EPIC TRAGIDRAMEDY.”

But I make a practice of shortening anything longer than a Fiona Apple album title, so.

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Meeting Mr. Handypants: A New York Moment

I had a real “New York Moment” earlier tonight. I met with a friend to discuss some possible ways to start reaching out to climate change groups about Hot Mess. Got there early, and snagged a table next to an older man who was, shall we say, not clad in the latest Spring fashions. Whatever. It’s a public space, it was a table, I’m not bothered. Sat for a while, working on a short story idea, until my friend arrived.

At this point, my friend and I start talking about the calendar of releases I’ve got slated for the upcoming year, and ways to get news out about both Hot Mess and the as-yet-untitled-webseries I’m working on with this guy, as well as Millennial Ex, currently set to appear as part of a one-act play program on gay marriage and marriage equality in Scotland later this year. We chat, we laugh, we drink our drinks.

And suddenly I see it. Out of the corner of my eye. My friend has her back to the eccentrically-clad man at the next table; she can’t see what he’s doing. But he’s got his hand down the front of his jeans. Which are, for some reason, unzipped.
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THEATER REVIEW: Outside People at the Vineyard Theatre

Down-and-out Brooklynite Malcolm (Matt Dellapina) heads to Beijing on the invitation of his college buddy Da Wei (also known as David, and played by Nelson Lee). There, he meets English tutor Xiao Mei (Li Jun Li), falls in love with her, and ultimately falls prey to the cynicism that comes hand in hand with believing everybody else wants a piece of your country. Ultimately, Malcolm leaves a burdgeoning romance thanks to a lack of faith in his lover’s motives.

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Halloween Theater with an Ugly Rhino: Warehouse of Horrors at the Brooklyn Lyceum

Sleep No More set off a reverberation through the NYC theater scene, becoming both a litmus test – did you see it? What did you think? Wasn’t it amazing? – among those able to attend and a measuring stick by which other companies judge themselves.
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THEATER REVIEW: “Two-Man Kidnapping Rule” at the New Ohio Theatre

Duane Coope (Vincent), Curran Connor (Jack) & Andy Lutz (Seth) in Joseph Gallo's "Two-Man Kidnapping Rule"

“One evening in the lives of three 20-something suburban friends who find themselves at a crossroads. A bittersweet look at a contemporary male friendship in decline.”


So described by the New Ohio Theatre, Joseph Gallo’s Two-Man Kidnapping Rule is a story that meanders at first – and could have done with some judicious cutting, particularly in the early stages of the work – but ultimately winds its themes and characters to their inevitable positions. While protagonist Jack (Curran Connor) finds a way to outgrow his old ex, his friend Vincent (Duane Cooper) and their buddy Seth (Andy Lutz), who has just proposed to his girlfriend, make journeys that are largely telegraphed, but still satisfying.

As the Barney Stinson of Gallo’s motley crew, Vincent is committed to protecting his relationship with his bros – no matter what the cost to their respective love lives. Over the course of the play, we learn about why he’s so committed to this – and why the titular “two-man kidnapping rule” is so sacred to him.

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Theater Review: MANGELLA by Ken Ferrigni at The Drilling Company

To those who know me off this blog (and probably a number of you on it), the news that I’ve been a geek since before it was cool isn’t going to come as any big surprise. Partly because of that, and partly because of a project I’m working on that uses disruptive technology as the axel for its narrative, I went to see Mangella by Ken Ferrigni – a cyber thriller about a man (Anthony Manna) trapped in a logic loop with his computer Gabriella (Ali Perlwitz), his aging, dementia-ridden father (Bob Austin McDonald), and Lilly (Hannah Wilson), the hooker who’s come to save him from it all.

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THEATER REVIEW: Dublin by Lamplight at 59E59

Jered McLenigan, Megan Bellwoar and Sarah van Auken in "Dublin by Lamplight"In theater, each night of an individual production’s run is different. When two different companies – seperated by both miles and years – perform a play, the separate interpretations magnify both flaws and strengths in their texts – and the differences in their productions become tools for gaining new insight into the multi-faceted fragility of this collaborative art form.

Having first seen Dublin By Lamplight when The Corn Exchange brought it to the Traverse Theater during the 2005 Edinburgh Fringe Festival, my second viewing was at the hands of Inis Nua, a Philadelphia-based company taking part in 1st Irish 2011 – a festival of Irish Theatre that spans New York City.

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