Tag Archives: reviews

THEATER REVIEW: The Deepest Play Ever @ the New Ohio Theatre


Boo Killebrew, Chinasa Ogbuagu, TJ Witham & Jordan Barbour. Photo by Colin D. Young.

“I’m going to The Deepest Play Ever,” I told my friends on Wednesday, “and yes, that’s the actual title.” Which wasn’t exactly accurate. The full title of the production is “The Deepest Play Ever: The Catharsis of Pathos, The Post-Post-Apocalyptical Allegory of Mother LaMadre And Her Son Golden Calf OR: Zombies Will EAT Your Brain! AN EPIC TRAGIDRAMEDY.”

But I make a practice of shortening anything longer than a Fiona Apple album title, so.

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Theater Review: “Eternal Equinox” by Joyce Sachs, 59E59

Playing through March 31st, Eternal Equinox compares politics in relationships both creative and sexual. Vanessa Bell (Hollis McCarthy) and Duncan Grant (Michael Gabriel Goodfriend), two painters from the Bloomsbury groupr, spend the bulk of this full-length play trying to understand and negotiate their relationships with one another – particularly when others become involved.
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THEATER REVIEW: Mission Drift at The Connelly Theater

I always face this problem when I sit down to write about a production from the TEAM (Theatre of the Emerging American Moment). I’ve seen three of their shows: Particularly in the Heartland (Traverse Theater), Architecting (P.S. 122), and now Mission Drift (The Connelly Theater), and it happens every time: exposed to their rip-roaring style of fully committed theater, I’m struck by an incredible loss for words in how to relate that work to those who have not yet seen the production.

After a few days of thinking about their latest production, Mission Drift, I’ve come to the conclusion that this is because the TEAM usually veers away from distinct narrative in favor of ideological, immersive mood. Like the TEAM’s other productions, Mission Drift is a series of parallel stories, grasping for ways to explain what it’s like to be living in a certain kind of America.

 
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THEATER REVIEW: Outside People at the Vineyard Theatre

Down-and-out Brooklynite Malcolm (Matt Dellapina) heads to Beijing on the invitation of his college buddy Da Wei (also known as David, and played by Nelson Lee). There, he meets English tutor Xiao Mei (Li Jun Li), falls in love with her, and ultimately falls prey to the cynicism that comes hand in hand with believing everybody else wants a piece of your country. Ultimately, Malcolm leaves a burdgeoning romance thanks to a lack of faith in his lover’s motives.

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Halloween Theater with an Ugly Rhino: Warehouse of Horrors at the Brooklyn Lyceum

Sleep No More set off a reverberation through the NYC theater scene, becoming both a litmus test – did you see it? What did you think? Wasn’t it amazing? – among those able to attend and a measuring stick by which other companies judge themselves.
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THEATER REVIEW: “Raft of the Medusa” at Cherry Lane Theater

Revised from its previous version (reviewed in 2001 by the New York Times as a production-in-progress, and even then the reviewer mentions it’s already a decade old) Raft of the Medusa hasn’t quite caught sight of land. Titled after the French Romantic painting of the same name, the play tells the story of a group of AIDs-positive folks who meet for group therapy every week.

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THEATER REVIEW: “Brownsville Bred” at 59E59

The opening of Brownsville Bred takes the form of a mini multi-media presentation, with the text of the eponymous Brooklyn neighborhood’s Wikipedia entry scrolling over video images of the Langston Hughes projects. As a device, it’s a little contrived, and shows an unjustified lack of trust in the material that follows – which is a rich, poetic, and starkly honest portrayal of growing up in Brownsville in the 1980s.

The woman whose journey into adulthood we witness over the course of the evening is Elaine Del Valle, and even without the text introduction to the play, her performance was expressive enough that she filled in any blanks for those of us unfamiliar with Brownsville — or its reputation. Del Valle expresses a deftness with emotions through her performances, making it possible for the audience to travel with her through a range of experiences representing the life that eventually took this performer out of Brownsville.

 
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