I always face this problem when I sit down to write about a production from the TEAM (Theatre of the Emerging American Moment). I’ve seen three of their shows: Particularly in the Heartland (Traverse Theater), Architecting (P.S. 122), and now Mission Drift (The Connelly Theater), and it happens every time: exposed to their rip-roaring style of fully committed theater, I’m struck by an incredible loss for words in how to relate that work to those who have not yet seen the production.
After a few days of thinking about their latest production, Mission Drift, I’ve come to the conclusion that this is because the TEAM usually veers away from distinct narrative in favor of ideological, immersive mood. Like the TEAM’s other productions, Mission Drift is a series of parallel stories, grasping for ways to explain what it’s like to be living in a certain kind of America.
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