Tag Archives: rj astruc

Stuff That’s Worth Your Time

Invisible Nursing Woman
Shoshana Rachel (great middle name!) talks about breast-feeding, cleavage and invisible women over at GirlBodyPride.

I Review Tear The Curtain
Earlier this month, I had the chance to interview one of the creators of a supposedly-groundbreaking new Canadian theatre piece. Schedules allowed me to chat with co-creator Kevin Kerr, and this weekend just gone, I was able to see the production in one of its final performances. My review is available through The British Theatre Guide, where I’ve been a contributor since 2003ish.

A Fan Letter To Certain Conservative Politicians
From @scalzi on Twitter. A letter to anti-choice politicians from a satirical rapist. Triggering, yet scathing on the order of Jonathan Swift’s  A Modest Proposal. A skilled piece of writing, whether or not you agree with his political views.

Climate Change
I’ve been following the campaigns, and one thing I’ve noticed is that the major candidates have refrained from significant discussion on the topic of climate change. Earlier this year, I did a project called Hot Mess: speculative fiction about climate change and I’d like to take this opportunity to suggest that sometimes, fiction can be an effective way of starting conversations on a grassroots level. Short stories include work by Sare Liz Gordy, RJ Astruc, Miranda Doerfler and Eric Sipple.

Trailer – Celeste Bright
I’ve mentioned a web series project in previous posts, and have to thank @thepowerobject for pointing me to this trailer. Gorgeously shot, the editing and music take you along for the ride – I’m going to pop in the first episode and see what I think of the product. This is part of my research on form and webseries; while I’m still trying to make it through Aidan 5’s full season, learning the language of a quality webseries is coming to the front in my ever-revolving priorities binder.

Ack. I just said binder, didn’t I.

We’re about ten days away from Election Day and voters in key swing states are already heading to the polls. If you spend time on “Twittah“, you already know my views, so I won’t bore you. Politics are, however, relevant, because of my new writing project.

Electalytics.

Back in June, I had the idea for a novella that would look at the mechanics of a modern-day election, in scifi-punk terms. Having read a lot of cyberpunk in my teens, and growing out from the ongoing progress of my AI Anthology, Electalytics was meant to give me a chance to express some anxieties about the current election cycle, as well as the framing of political action/content within what I felt (and still feel) to be outdated models – all within a technopunk framework.

Electalytics started off as a challenge – could I write 30K words in a month? By July, I was still shy 2.5K, but I had the solid basis of a piece – and since then, I’ve been editing and refining the story. It’s lost mass and gained focus, and I’m excited to be offering a free look at the first chapter to the first 50 people who sign up on my mailing list. We’re about halfway to our subscription goal, so sign up for the free promo.

Also, come November 6th? Vote.

The Neverending Writing List

As we creep ever-closer towards the end of the year, it’s natural to look back and take stock of the plans I made, and which ones came to fruition – hopefully with just enough time left in the final quarter of 2012 to kick my butt into gear on a few of these projects.

The year started with a rush and a bang. My short story, The Tell Tale Tech was selected to launch a week of tributes to Poe, over on The Veillee Blog. Next, Sare Liz Gordy decided to put together “Sassy Singularity” – an anthology of short stories about strong single women, and my short story Sweetheart, kicked off that collection.

The next month, Hot Mess: speculative fiction about climate change came out. Millennial Ex, a ten-minute play about marriage equality, was given Honorable Mention at a festival in the US before later being picked up as the centerpiece for ANY OBJECTIONS? the upcoming Glasgay Festival in Glasgow, Scotland. (I also have another dozen or so plays from other entrants to read through before the selection committee makes its final decisions.)

I put both Restaurants are Rated Out of Four Stars (a foodie romance, which appeared in RJ Astruc’s collection, The Fat Man At The End Of The World, several years ago) and my first Edinburgh Fringe play, Playing It Cool up. Ran a promotion for that on Kindle Select last week, and the play was both downloaded and reviewed favorably by many. Miranda Doerfler and I oversaw the publication of Haiku of the Living Dead, Zombie haikus collected from contributors around the internet.

I started a Pinterest and a Tumblr and a Goodreads account. I learned how to use InDesign well enough that I could make book covers that weren’t completely embarassing (you can see an example on the Playing it Cool cover on Amazon). I edited Eric Sipple’s first novel, Broken Magic. Got a couple interviews about my work published on a few different websites. Helped organize a massive political protest along with Eve Ensler and grassroots activists from around the country.

You’d need chocolate, too.

But it’s not enough.

There are projects I want to do that still aren’t done. And I wanted them to be done before the end of the year. There’s my AI collection, which will take both The Tell Tale Tech and Sweetheart and pair them with a number of original short pieces pondering alternative and artificial intelligences. I have partial drafts and sketches for a number of these shorts, including some pretty extensive drafts. But there’s more work to be done there.

Next, there’s Electalytics, the 30K novella I said I’d write in thirty days back in July. Currently hovering at about 27.5K, I’m tightening up the rest of the draft before going on to write the final parts of the story. I had wanted this piece to be up in time for the 2012 elections, but at this point I think it’s safe to say that would require rushing it out. So I’ll pick my way through it carefully and I’ll keep making slow progress.

There are two more projects I would very much have liked to complete this year, including the play that kicked me off down the AI collection road, a full-length three-hander called Process0r, about collaboration and language and technology.

So what gives? What’s holding me back? Why aren’t all these pieces done so I can scramble ahead to the next thing?  Aside from the blog updates, the social network building, being interviewed, contributing to charity fundraisers and more?

Life. That’s what. That messy, wonderful, horrible, ever-drumming thing we call life. The saying talks about the best-laid plans of mice and men, but writer’s best-laid plans often go astray as well. Coping with this fact? Not something I do especially well. When I have a plan, I want that plan done. And when it doesn’t get done, I start getting agitated.

So that’s what the next three months are for. It might seem as though the things I’ve already done this year would more than make up for the pieces I still want to finish – but they don’t. When I distill the list down and hold it up against the “life” things happening between now and December 31st, it looks a little like this:

1. Finish the first draft of Electalytics.

2. Create covers for Stuck Up A Tree and Mousewings (video), so I can put them both up on Amazon alongside their fellow Edinburgh Fringe play, Playing It Cool.

I want to add, “Finish AI Anthology” and “Finish Processor” to the list, but given the two solid goals mentioned above and a third, more ephemerous goal I haven’t been specific about, I feel like sticking those two on the list would be a great way to get overwhelmed. So for now I’ll save those two projects for 2013, which – as far as I can tell – still offers twelve months of unspoken-for time.

This is a totally realistic plan.

Right?

Thanks, Planet! HOT MESS Gives Back.

Cover design by Sarah Hartley

When I approached Eric, Sare Liz, RJ and Miranda about working on HOT MESS: speculative fiction about climate change, one thing we agreed on was that a portion of the proceeds from the book should benefit climate-change-related charities.

Well, the first batch of royalty payments are in, and we’ve made donations to both the Climate Science Defense Fund and the Earth Island Institute, with more to come.

If you haven’t yet, buy a copy of HOT MESS, (available for Kindle, Nook, Smashwords and in print) and help contribute to spreading ideas and combating climate change.

Miranda and I will be releasing HAIKU OF THE LIVING DEAD, a book of Zombie Haiku submitted from internet users around the world, on Friday, July 13th.

Awesome Awesome Amazeballs Awesome

The thing you always forget about performing is how quickly it happens. There’s an interminable amount of stuff that has to take place before a production, whether we’re talking a short film, a play, or a reading involving five performers converging on an old-time prestige venue like the Cornelia St Cafe.

That third one is a little specific, isn’t it.

Yesterday we had a live reading of Hot Mess: speculative fiction about climate change here in New York City. And by “we,” I mean everybody, with the exception of RJ, who wrote to us from New Zealand. Before about 4pm, the day is a blur. Literally a blur. I remember the gist of what I did: mostly sleep, since the night before was a rush of adrenaline and preparation and as with all these things, there never seems to be enough time. (Note “seems” – this is significant.)

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A “Hot Mess” in NYC

"Hot Mess: speculative fiction about climate change" at the Cornelia Street Cafe

Come listen to authors from HOT MESS read their works, then participate in a discussion about climate change and its potential effects on human society.

Limited print copies will be on sale at the event, which should run from 6pm-7:30pm.

We hope to see you there.

 

 

The Hot Mess Update: Print Editions, Radio Appearances & More


So you’ve been dying to read Hot Mess:speculative fiction about climate change since it came out, but you don’t own an e-reader. Well, here’s some good news for you: the book is finally available in print.

You can now purchase print editions of  Hot Mess: speculative fiction about climate change via our CreateSpace E-Store. Within a week or so, this will populate out to Amazon, but in the meantime you can pick up a copy from CreateSpace.

Next up? I’ll be calling in to Earth Day edition of  The 99 Report’s podcast to discuss Hot

Mess with host and fellow indie author Allie, after a fortuitous Twitter introduction from @Uncucumbered. The show will also feature a discussion of how the Deepwater Horizon oil spill has affected the Gulf of Mexico and surrounding waters – so hopefully I’ll be learning something while I’m there. In the meantime, here’s a picture of Deepwater Horizon from today’s xkcd.

I’m also putting together a guest blog for The Masquerade Crew as part of the A-Z challenge. My letter? S. My topic? Self-publishing. (Because really, why limit myself?) That should be going up some time around Earth Day, too. Is there anything about this process that readers and other indie authors want to know? Any questions I should try to bear in mind? Feel free to leave ’em in the comments.

PS – you can still buy Hot Mess: speculative fiction about climate change for Kindle, Nook and on Smashwords. Our Goodreads page is here

PPS – Both print and e-readers have an environmental impact; by making the work available in both formats we hope our readers will be able to make a conscientious choice that fits their lifestyle.

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Huge Writing Announcement: “Hot Mess: speculative fiction about climate change” – Kindle, Smashwords & Nook

Welcome to my 100th post for rlbrody.com.

I didn’t realize I’d have something significant to say when I hit this blogging milestone. Imagine how excited I was when I realized. (Actually, if you follow me on twitter, you probably don’t have to do much imagining.)

So here it is. Huge Writing Announcement.

A few months ago, I posted about an anthology I was putting together: short stories about global warming and climate change, and their effects on humankind.

Today that anthology – Hot Mess: speculative fiction about climate change – went live on Amazon.com.

Over the next 36 hours or so, it will populate to Amazon’s international sites. Over the next couple of weeks, Nook, Smashwords and CreateSpace (a print service – that’s right, actual books) will join the Kindle version of Hot Mess for sale.

But today, it’s just there for Kindle. If you’re a Kindle owner, or if you’ve downloaded one of their ten billion Kindle apps for your smartphone, iPhone, iPad, or desktop, you can click on this link right here and you will be able to download your very own copy of Hot Mess. And you should. Because not only is it a piece of work I’m over-the-moon proud of, but it’s work with a grassroots-level charity angle: each author has agreed to donate a portion of whatever earnings they have from Hot Mess to a charity or awareness-raising organization close to their heart,  involved in dealing with climate change.

So go buy Hot Mess. What will you be getting?

The anthology starts with She Says Goodbye Tomorrow by Eric Sipple, a story about wine and family and loss and memory.  From there, my super-short Haute Mess takes a whimsical, fashion-based look at how visual and physical climates interact. Miranda Doerfler gives us In Between the Dark and the Light, an action-filled tale about a father and his daughter, followed by Sare Liz Gordy‘s Traditionibus ne Copulate, which (I think, and I know she’ll correct me if I’m wrong) translates to “Don’t fuck with tradition.” Next, my piece Mom. Mom. Mom. Mom. Mom. is a domestic coming-of-age tale about a boy, his mother, an industrial accident and the house computer. Finally, RJ Astruc brings the anthology’s central questions back to the forefront with her fictional travelogue, The World Gets Smaller, and Things Get Left Behind.

Hot Mess features hand-drawn illustrations by musician/ecologist Hannah Werdmuller as well as a fashionably modern – and eye-catching – cover design from Sarah Hartley. Mere Smith’s assistance with proofreading and Jason Derrick’s with formatting were (and continue to be) very much appreciated. This book wouldn’t be out today without your work. Thank you, so much, to each of you.

A little over seven months ago, I approached four writers and asked them if they were interested in writing a short story anthology about climate change. They were. The project started. Now it’s over.

Except it’s not. There’s still loads to do: more uploading, more formats, more reviews, more readers, more awareness. I will talk about all of that more later – in another blog entry. Earth Day is next month; I’ll definitely talk about it before then. I hope you will, too.

For now, please read Hot Mess.

Then start talking, posting, retweeting, and facebooking about it.

 

UPDATE (3/21): You may have noticed that some of the above links are now directing you to Smashwords! You can now buy the book directly there; in a few weeks it will have populated out to sites like Kobo, the iTunes store and more.

If you’re reading on Kindle, I would still recommend you purchase the Amazon version, as that has been optimized for your platform. Nook users, Smashwords does a lovely job of converting to a Nook-friendly format.

Click Here to Buy Hot Mess

 

UPDATE 2:  This morning, I got to send my dad a text: “Your daughter is currently outselling Isaac Asimov in her category.” (We’d just pulled ahead of “I, Robot”).  The book rose to just over 9K in the Amazon store rankings. Within our own category (sci-fi anthologies), “Hot Mess” shot to #20 on the top #100 list, climbed up another few spots before topping out at #15, and lingered there overnight. (EDIT: Hannah has just let me know she saw it at #14 at 2am! Not sure if that’s EST or PST, but either way!) Not bad for Upload Day, right?